• Published in 1968
• Author: Lennon/McCartney

JOHN 1980: “Completely me. We recorded the song twice. The Beatles were getting real tense with each other. I did the slow version (Revolution 1) and I wanted to put it out as a single: as a statement of the Beatles’ position on Vietnam and the Beatles’ position on revolution. The first take of ‘Revolution’ …well, George and Paul were resentful and said it wasn’t fast enough. Now, if you go into the details of what a hit record is and isn’t, maybe. But the Beatles could have afforded to put out a slow, understandable version of ‘Revolution’ as a single, whether it was a gold record or a wooden record.”

About “Revolution”

“Revolution” was released as a single in 1968, along with “Hey Jude,” as a double A-side. The song was written by John Lennon and credited to the songwriting partnership of Lennon/McCartney, as was customary for most Beatles songs. “Revolution” is known for its powerful and politically charged lyrics, reflecting the social and political upheaval of the late 1960s. The song addresses themes of revolution, protest, and the desire for change. It’s often associated with the counterculture movements of the time.

Musically, “Revolution” features a raw and edgy sound, characterized by a distorted guitar riff and a driving rhythm. It was a departure from the more polished and melodic sound that The Beatles were known for in their earlier years. There are actually two versions of “Revolution.” The faster and more aggressive version was released as the B-side to the “Hey Jude” single, while a slower and more refined version “Revolution 1” appeared on The Beatles’ self-titled album, commonly known as the “White Album,” which was released later in 1968.

“Revolution” remains a significant and influential song in the history of rock music, and it continues to be celebrated for its social and musical impact.

Meaning of “Revolution”

The lyrics of “Revolution” reflect a sense of disillusionment with the state of the world and a desire for change. The song expresses frustration with the existing order and calls for a revolution, but not necessarily a violent one. Instead, it suggests a more contemplative approach to revolution, advocating for a change in consciousness and societal values.

“Revolution” can be seen as a reflection of the turbulent times in which it was written, with social and political upheaval taking place around the world, including events like the Vietnam War and civil rights movements. The song’s message is open to interpretation, but it’s generally understood as a call for change and a questioning of the status quo.

Personnel

The Beatles

• John Lennon – vocals, lead guitar, handclaps
• Paul McCartney – bass guitar, Hammond organ, handclaps
• George Harrison – lead guitar, handclaps
• Ringo Starr – drums, handclaps

Additional musician

• Nicky Hopkins – electric piano

• Published on 1964
• Author: Lennon/McCartney
• Track 11 on “Past Masters Volume 1“

JOHN 1980: “That was my song. When there was no Beatles and no group, I just had it around. It was my effort as a kind of blues originally, and then I wrote the middle-eight just to stick it in the album when it came out years later. The first part had been written before Hamburg even. It was one of my ‘first’ attempts at a song.”

PAUL circa-1994: “We worked on it together, but it was John’s idea. When I look back at some of these lyrics, I think, ‘Wait a minute. What did he mean? ‘I call your name but you’re not there.’ Is it his mother? His father? I must admit I didn’t really see that as we wrote it because we were just a couple of young guys writing. You didn’t look behind it at the time, it was only later you started analyzing things.”

About “I Call Your Name”

“I Call Your Name” is a song by the Beatles, primarily written by John Lennon but credited to the Lennon/McCartney songwriting partnership. It was released in 1964 on the album “The Beatles’ Second Album” in the United States and on the EP “Long Tall Sally” in the United Kingdom.

The song is characterized by its rock and roll style, catchy melody, and signature Beatles harmonies. The lyrics convey a sense of longing and urgency to connect with someone. While not as famous as some of their other hits, the song remains beloved among Beatles fans and is a part of their extensive catalog of memorable tracks. It has been covered by various artists over the years, attesting to its enduring popularity.

Meaning of “I Call Your Name”

“I Call Your Name” expresses a sense of longing and a strong desire to communicate with someone. The lyrics suggest an urgent need to connect with the person addressed in the song. The narrator seems to be reaching out, attempting to bridge a gap or distance between them. The title, “I Call Your Name,” signifies this effort to establish contact, emphasizing the significance and urgency of this connection.

In a broader sense, the song can be interpreted as a reflection on the universal human experience of seeking closeness and communication with others, particularly those we hold dear or have strong feelings for. The song captures a feeling of yearning and a willingness to make an effort to be close to someone important in the narrator’s life

Personnel

• John Lennon – lead vocals, rhythm guitar
• Paul McCartney – bass guitar
• George Harrison – 12 string lead guitar
• Ringo Starr – drums, cowbell
• George Martin – producer
• Norman Smith – engineer

• Published on 1966
• Author: Lennon/McCartney
• Track 5 on “Revolver“

JOHN 1972: “This was a great one of his.”

JOHN 1980: “That’s Paul’s song completely, I believe. And one of my favorite songs of the Beatles.”

PAUL 1984: “I wrote that by John’s pool one day. When we were working together, sometimes he came in to see me. But mainly, I went out to see him.”

PAUL circa-1994: “‘Here, There and Everywhere’ has a couple of interesting structural points about it… each verse takes a word. ‘Here’ discusses here, Next verse, ‘there’ discusses there, then it pulls it all together in the last verse with ‘everywhere.’ …John might have helped with a few last words.”

About “Here, There And Everywhere”

“Here, There and Everywhere” was primarily written by Paul McCartney with input from John Lennon. McCartney includes it among his personal favourites of the songs he has written. In 2000, Mojo ranked it 4th in the magazine’s list of the greatest songs of all time.

It was released on the 1966 album “Revolver,” which is considered one of the band’s masterpieces. The track is the fifth on the album and is known for its soft, melodic style, featuring intricate vocal harmonies that were characteristic of The Beatles’ sound.

Recorded at Abbey Road Studios in London, the song is noted for its meticulous production, with layered vocal harmonies and a lush arrangement. It received widespread critical acclaim and is often regarded as one of McCartney’s finest compositions. It has been covered by numerous artists over the years and is considered a classic in popular music.

“Here, There and Everywhere” holds a significant place in the cultural lexicon and has been featured in various movies, television shows, and commercials. Its enduring popularity showcases its status as a timeless and emotionally resonant piece of music. Artists such as Frank Sinatra, Emmylou Harris, and Celine Dion have all covered the song, further demonstrating its universal appeal.

Meaning of “Here, There And Everywhere”

The meaning of the song is essentially a declaration of love and devotion. McCartney wrote it as a tribute to his then-girlfriend (and later, wife), Jane Asher. The lyrics express a deep and abiding love that is not confined by time or place, suggesting that the sentiment is present “here, there, and everywhere.”

The song’s lyrics evoke a sense of enduring love that transcends physical boundaries, emphasizing a feeling of being surrounded by the presence of the loved one no matter where one is. The gentle, timeless quality of the music and lyrics contribute to the universal appeal of the song. It has been covered by many artists and is considered a classic of The Beatles’ catalog.

Personnel

• Paul McCartney – double-tracked lead vocals, rhythm guitar, bass, finger-snaps
• John Lennon – backing vocals, finger-snaps
• George Harrison – lead guitar, backing vocals, finger-snaps
• Ringo Starr – drums, finger-snaps

• Published on 1969
• Author: Lennon/McCartney
• Track 11 on “Abbey Road“

JOHN 1980: “I’d read somewhere in the newspaper about this mean guy who hid his five-pound notes, not up his nose but ‘somewhere else.’ No, it had nothing to do with cocaine.”

PAUL circa-1994: “‘Mean Mr Mustard’ was very John. I liked that. A nice quirky song.”

About “Mean Mr. Mustard”

Written by John Lennon and credited to Lennon–McCartney, it is the third track of the album’s B-side medley. It was recorded with “Sun King” in one continuous piece.

The song was written during the Beatles’ stay in India; Lennon said that it was inspired by a newspaper story about a miser who concealed his cash wherever he could in order to prevent people from forcing him to spend it. On reflection, Lennon did not think highly of the composition, dismissing it in Anthology as “a bit of crap I wrote in India.”

A demo version of the song was recorded in May 1968 at Kinfauns, George Harrison’s home in Esher. It appears on Anthology 3 and the 2018 Deluxe Edition of The Beatles. In this version, Mustard’s sister is named Shirley. Lennon changed it to Pam when he saw the opportunity to ease the segue into the song “Polythene Pam“, which follows “Mean Mr. Mustard” on the album. According to Lennon, “In ‘Mean Mr. Mustard’, I said ‘his sister Pam’—originally it was ‘his sister Shirley’ in the lyric. I changed it to Pam to make it sound like it had something to do with it.”

As eventually recorded, “Mustard” originally was to end in the chord of D major—this would have led into the next track in the climactic medley, “Her Majesty“. However, since the latter song was moved to the end of the album, “Mustard” instead hard-edits into “Polythene Pam“, and thus the final note of “Mustard” would open “Her Majesty“. as a stand-alone track at the album’s conclusion. The complete version of “Mustard” (with its original clean ending) can be heard on The Beatles: Rock Band video game, as well as Abbey Road’s 2019 Super Deluxe Edition.

Meaning of “Mean Mr. Mustard”

The song’s lyrics paint a vivid picture of a peculiar character named Mr. Mustard, portrayed as an eccentric individual with peculiar habits. This characterization could be a playful exploration of oddity and quirkiness. Some listeners and critics have speculated that Mr. Mustard may be a symbolic figure representing societal outcasts or unconventional individuals who don’t fit into traditional norms.

“Mean Mr. Mustard” is part of a medley on the “Abbey Road” album, sandwiched between “Sun King” and “Polythene Pam.” Its offbeat lyrics and character stand out in contrast to the dreamy atmosphere of “Sun King” and the energetic narrative of “Polythene Pam.”

Like many of The Beatles’ songs, “Mean Mr. Mustard” may not have a concrete, literal meaning. Instead, it could serve as an exercise in creative expression and wordplay, showcasing the band’s penchant for imaginative storytelling.

Ultimately, the true meaning of “Mean Mr. Mustard” may remain known only to the songwriters, and it’s possible that even they may have left room for interpretation. The song’s enigmatic lyrics and catchy melody contribute to its enduring popularity among fans of The Beatles.

Personnel

• John Lennon – lead and harmony vocals, rhythm guitar, piano
• Paul McCartney – harmony vocals, fuzz bass
• George Harrison – lead guitar
• Ringo Starr – drums, tambourine, maracas

• Published on 1964
• Author: Lennon/McCartney
• Track 7 on “A Hard Day’s Night“
• Track 7 on “1962 ‐ 1966 (Red Album)“

JOHN 1972: “John and Paul, but mainly Paul.”

JOHN 1980: “That’s Paul completely. Maybe I had something to do with the chorus, but I don’t know. I always considered it his song.”

PAUL 1984: “We recorded it in France, as I recall. Went over to the Odeon in Paris. Recorded it over there. Felt proud because Ella Fitzgerald recorded it, too, though we didn’t realize what it meant that she was doing it.”

PAUL circa-1994: “‘Can’t Buy Me Love’ is my attempt to write a bluesy mode. The idea behind it was that all these material possessions are all very well but they won’t buy me what I really want.”

About “Can’t Buy Me Love”

“Can’t Buy Me Love” was released in March 1964 as the A-side of their sixth single. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song was included on the group’s album A Hard Day’s Night and was featured in a scene in Richard Lester’s film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden. In the UK, it was the fourth highest selling single of the 1960s.

While in Paris, the Beatles stayed at the five-star George V hotel and had an upright piano moved into one of their suites so that songwriting could continue. It was here that McCartney wrote “Can’t Buy Me Love”. The song was written under the pressure of the success achieved by “I Want to Hold Your Hand“, which had just reached number one in America.

When producer George Martin first heard “Can’t Buy Me Love”, he felt that the song needed changing: “I thought that we really needed a tag for the song’s ending, and a tag for the beginning; a kind of intro. So I took the first two lines of the chorus and changed the ending, and said ‘Let’s just have these lines, and by altering the second phrase we can get back into the verse pretty quickly.’” And they said: “That’s not a bad idea, we’ll do it that way”. The song’s verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material.

Meaning of “Can’t Buy Me Love”

The lyrics of “Can’t Buy Me Love” convey a message about the value of true love and human connection over material possessions. The song essentially asserts that money and wealth cannot buy genuine affection or happiness. It’s a declaration that the most important things in life are beyond monetary measure.

The chorus, “Can’t buy me love, oh / Can’t buy me love, oh / Can’t buy me love, oh / I’ll buy you a diamond ring, my friend, if it makes you feel all right,” juxtaposes the idea of material offerings with the notion that love itself cannot be purchased.

The song’s message is one of prioritizing authentic human connections and experiences over material wealth.

Personnel

• Paul McCartney – double-tracked vocal, bass
• John Lennon – acoustic rhythm guitar
• George Harrison – double-tracked lead guitar, twelve-string guitar
• Ringo Starr – drums

How to play “Can’t Buy Me Love” on guitar

“Can’t Buy Me Love” features a distinctive guitar riff that is one of the song’s most recognizable elements. The riff is played on a 12-string Rickenbacker guitar by George Harrison. It is a prominent and catchy musical motif that repeats throughout the song. It is characterized by its bright and jangly tone, which is characteristic of the 12-string guitar. It provides a lively and upbeat feel that complements the song’s lyrics about the importance of love over material wealth.

In addition to the riff, there are also rhythm guitar parts that provide a solid foundation for the song. These rhythm guitar parts help drive the tempo and provide a sense of groove. The guitar work in “Can’t Buy Me Love” is a key element that contributes to the song’s infectious and memorable sound. George Harrison’s playing, along with the rest of the band’s tight musicianship, is a testament to their musical prowess.

The following video features tab of rhythm and lead guitar of “Can’t Buy Me Love”:

How to play “Can’t Buy Me Love” on bass

In “Can’t Buy Me Love” by the Beatles, Paul McCartney’s bass playing is dynamic and integral to the song’s overall groove and energy. McCartney’s bassline in “Can’t Buy Me Love” is characterized by its driving and melodic nature. It features a bouncy rhythm that complements the upbeat tempo of the song. The bassline also incorporates melodic runs and fills that add musicality and depth to the overall arrangement.

One of the notable features of McCartney’s bass playing in this song is its syncopated feel. He often accents off-beats, which adds a lively and danceable quality to the music. This syncopation creates a sense of movement and contributes to the song’s infectious rhythm. McCartney’s bass playing in “Can’t Buy Me Love” is a prime example of his skill as a bassist and his ability to craft memorable and inventive basslines. It plays a crucial role in shaping the song’s sound and is an important element in the Beatles’ iconic musical style.

The following video features the bassline tab of “Can’t Buy Me Love”:

“Can’t Buy Me Love” karaoke

For those who want to try singing “Can’t Buy Me Love” the following video features the karaoke version of the song:

• Published in 1966
• Author: Lennon/McCartney
• Track 4 on “Past Masters Volume 2“

JOHN 1966: “After we’d done the session on that particular song– it ended at about four or five in the morning– I went home with a tape to see what else you could do with it. And I was sort of very tired, you know, not knowing what I was doing, and I just happened to put it on my own tape recorder and it came out backwards. And I liked it better. So that’s how it happened.”

JOHN 1980: “That’s me again– with the first backwards tape on record anywhere… I got home from the studio and I was stoned out of my mind on marijuana… and, as I usually do, I listened to what I’d recorded that day. Somehow it got on backwards and I sat there, transfixed, with the earphones on, with a big hash joint. I ran in the next day and said, ‘I know what to do with it, I know… listen to this!’ So I made them all play it backwards. The fade is me actually singing backwards with the guitars going backwards. (sings) ‘Sharethsmnowthsmeanss!’ That one was the gift of God… of Ja actually– the god of marijuana, right? So Ja gave me that one.”

RINGO 1984: “My favorite piece of me is what I did on ‘Rain.’ I think I just played amazing. I was into the snare and hi-hat. I think it was the first time I used the trick of starting a break by hitting the hi-hat first instead of going directly to a drum off the hi-hat. I think it’s the best out of all the records I’ve ever made. ‘Rain’ blows me away. It’s out in left field. I know me and I know my playing… and then there’s ‘Rain.’”

PAUL circa-1994: “It was nice. I really enjoyed that one.”

About “Rain”

“Rain” is a song that holds a special place in the Beatles’ discography. Penned primarily by John Lennon, although credited to the enduring Lennon/McCartney partnership, the track was released as the B-side to their single “Paperback Writer” in 1966. This song is often revered for its innovative musical techniques and thought-provoking lyrics.

From a musical standpoint, “Rain” stands out for its distinctive sound. The track is characterized by a captivating blend of psychedelic rock elements. It features a remarkable use of backwards vocals, a technique that was quite avant-garde at the time. This effect, particularly notable in the final verse, adds an ethereal quality to the song, creating an otherworldly atmosphere.

Ringo Starr’s drumming in “Rain” is another standout feature. His rhythmic pattern is intricate and inventive, showcasing the band’s willingness to experiment with different musical styles and structures. This, combined with the song’s mesmerizing guitar work and Paul McCartney’s melodic bassline, contributes to the overall complexity and richness of the composition.

The song’s recording contains a slowed-down rhythm track, a droning bass line and backwards vocals. Its release marked the first time that reversed sounds appeared in a pop song, although the Beatles used the same technique on the Revolver track “Tomorrow Never Knows“, recorded days earlier. Ringo Starr considers “Rain” his best recorded drum performance. Three promotional films were created for the song, and they are considered among the early precursors of music videos.

Despite its unconventional approach and experimental sound, “Rain” was met with critical acclaim. It’s often cited as one of the Beatles’ finest B-sides and a testament to their musical innovation during the mid-1960s. The song’s influence extended far beyond its initial release, with its groundbreaking use of recording techniques inspiring generations of artists in the psychedelic and progressive rock genres.

Interestingly, “Rain” was not performed live by the Beatles during their touring years. Instead, the band created promotional videos for both “Rain” and “Paperback Writer,” which were early precursors to the modern music video.

In retrospect, “Rain” remains a beloved and iconic track among Beatles enthusiasts. It stands as a testament to the band’s willingness to push the boundaries of conventional music production, showcasing their artistic evolution during a pivotal period in their illustrious career.

Meaning of “Rain”

The meaning of “Rain” is open to interpretation, as with many pieces of art. However, it’s commonly understood to convey themes of introspection, change, and acceptance.

The lyrics of “Rain” suggest a contemplative attitude towards life’s uncertainties and transitions. Lines like “Rain, I don’t mind / Shine, the weather’s fine” can be interpreted as an acceptance of change, possibly even a welcoming of challenges or difficult times. The metaphor of rain could symbolize the ups and downs of life, and the idea that even amidst adversity, there can be growth and transformation.

Additionally, the song’s refrain, “Rain, I don’t mind / Shine, the weather’s fine,” might imply a sense of resilience or an ability to find positivity even in challenging circumstances. It could be seen as a message of finding contentment or peace regardless of the external conditions.

Overall, “Rain” can be seen as a reflection on the human experience, acknowledging that life is full of unpredictable moments, and the key might be in how one responds to them.

Personnel

• John Lennon: vocals, guitar
• Paul McCartney: backing vocals, bass
• George Harrison: backing vocals, guitar
• Ringo Starr: drums, tambourine

• Published on 1965
• Author: Lennon/McCartney
• Track 12 on “Rubber Soul“

About “Wait”

The songwriting credit is Lennon/McCartney, and is one of the real joint efforts between the two (Lennon wrote the verses and refrain in F# minor, and McCartney wrote the bridge in A major).

The lyrics, describing the singer’s anxieties about his relationship with his girl while he is away, are thematically similar to several other Lennon-McCartney songs, such as “When I Get Home” and “Things We Said Today,” written during the period of 1964 and 1965.

The song was originally recorded for Help! in June 1965 but did not make the final pressing. When Rubber Soul fell one song short for a Christmas release, “Wait” was brought back.

Meaning of “Wait”

“Wait” conveys a theme of romantic longing and impatience. In the lyrics, the narrator expresses a yearning for someone to wait for him, as they plan to return after being away for a while. The song suggests a sense of urgency and a plea for understanding from the person they’re singing to. The narrator wants assurance that the person will still be there for them upon his return.

Here are the opening lines of the song:

“It’s been a long time Now I’m coming back home I’ve been away now Oh how, I’ve been alone“

Overall, “Wait” reflects the universal emotions of separation, anticipation, and the desire for a loved one’s patience and faithfulness.

Personnel

• John Lennon – double tracked vocal, rhythm guitar
• Paul McCartney – double tracked vocal, bass guitar
• George Harrison – lead guitar
• Ringo Starr – drums, maracas, tambourine

• Published on 1964
• Author: Lennon/McCartney
• Track 1 on “A Hard Day’s Night“
• Track 8 on “1962 ‐ 1966 (Red Album)“

The Beatles’ quotes about “A Hard Day’s Night”

RINGO 1964: “We went to do a job, and we’d worked all day and we happened to work all night. I came up still thinking it was day I suppose, and I said, ‘It’s been a hard day…’ and I looked around and saw it was dark so I said, ‘…night!’ So we came to ‘A Hard Day’s Night.’”

JOHN 1980: “I was going home in the car and Dick Lester suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in ‘In His Own Write,’ but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny… just said it. So Dick Lester said, ‘We are going to use that title.’ And the next morning I brought in the song… ‘cuz there was a little competition between Paul and I as to who got the A-side– who got the hits. If you notice, in the early days the majority of singles, in the movies and everything, were mine… in the early period I’m dominating the group. The only reason he sang on ‘A Hard Day’s Night’ was because I couldn’t reach the notes. (sings) ‘When I’m home/ everything seems to be right/ when I’m home…’ –which is what we’d do sometimes. One of us couldn’t reach a note but he wanted a different sound, so he’d get the other to do the harmony.”

PAUL circa-1994: “The title was Ringo’s. We’d almost finished making the film, and this fun bit arrived that we’d not known about before, which was naming the film. So we were sitting around at Twickenham studios having a little brain-storming session… and we said, ‘Well, there was something Ringo said the other day.’ Ringo would do these little malapropisms, he would say things slightly wrong, like people do, but his were always wonderful, very lyrical… they were sort of magic even though he was just getting it wrong. And he said after a concert, ‘Phew, it’s been a hard day’s night.’”

About “A Hard Day’s Night”

“A Hard Day’s Night” was released as the title track of The Beatles’ third studio album in 1964. It’s known for its distinctive opening chord, played on George Harrison’s 12-string Rickenbacker guitar. The song was written by John Lennon and credited to the songwriting duo Lennon-McCartney. It was also released as a single in the UK (with “Things We Said Today” as its B-side), and in the US (with “I Should Have Known Better” as its B-side.)

The song opens with a famous chord that has been the subject of much discussion and analysis. It’s often referred to as the “G7sus4” chord. The rest of the song follows a classic chord progression. John Lennon takes the lead vocals in the song, with Paul McCartney and George Harrison providing harmonies. The vocal delivery is energetic and captures the youthful exuberance of The Beatles.

“A Hard Day’s Night” features the distinctive 12-string Rickenbacker guitar played by George Harrison, providing a jangly sound. Paul McCartney’s melodic bassline and Ringo Starr’s solid drumming contribute to the overall musical texture. The lyrics of “A Hard Day’s Night” were inspired by a remark made by Ringo Starr. The phrase “a hard day’s night” was a Ringoism, a term used by the band to describe his unintentional wordplay. The lyrics capture the fatigue and relief after a day’s work.

The success of the song led to the use of its title for both the Beatles’ first feature film, released in 1964, and their third studio album. The film is a musical comedy featuring the band’s music and was well-received by both critics and fans. “A Hard Day’s Night” is widely considered one of The Beatles’ classics and is often celebrated for its innovation and influence on the pop and rock music of the time. It marked a turning point in the band’s sound as they began to explore more complex musical arrangements and experiment with different instruments.

The phrase “A Hard Day’s Night” was actually coined by Ringo Starr, who used it to describe the exhaustion and fatigue that came from their demanding schedule of recording and performing. The lyrics talk about the feeling of working hard all day and then looking forward to spending the night with a lover. The lyrics convey a sense of longing and anticipation, and the upbeat tempo and energetic melody capture the excitement and youthful enthusiasm that characterized much of the Beatles’ early music.

“A Hard Day’s Night” is often interpreted as a celebration of youthful vigor and the joy of being in love, while also acknowledging the challenges and demands of their hectic lifestyle as one of the most popular and successful bands in the world at that time.

Personnel

• John Lennon – double-tracked vocals (verses), electric and acoustic rhythm guitars
• Paul McCartney – double-tracked vocals (middle-eight), harmony vocal, bass
• George Harrison – lead electric twelve-string guitar
• Ringo Starr – drums, bongos, cowbell
• George Martin – piano, producer

How to play “A Hard Day’s Night” on guitar

The guitar work in “A Hard Day’s Night” by The Beatles is distinctive and iconic. The song features a prominent and instantly recognizable opening chord played by George Harrison on his 12-string Rickenbacker guitar. The chord is often referred to as the “G7sus4” or “G suspended 4” chord, and its exact formation has been the subject of much discussion among musicians and Beatles fans.

The rest of the guitar work in the song includes a combination of strumming and arpeggios, contributing to the lively and energetic feel of the track. The guitar parts, played by both George Harrison and John Lennon, are integral to the overall sound of “A Hard Day’s Night” and helped define the signature sound of The Beatles during that period. The use of the 12-string guitar, in particular, gives the song a jangly and distinctive quality that set it apart from other contemporary rock and pop songs.

The following video shows how to play “A Hard Day’s Night” on acoustic and electric guitar. Two parts concern the rhythm guitar, one acoustic and one electric, and a third which is the solo together with the final arpeggio:

How to play “A Hard Day’s Night” on bass

McCartney’s bass line in this song is notable for its melodic and rhythmic qualities. Instead of simply providing a foundational rhythm, McCartney’s bass part in “A Hard Day’s Night” is more melodic and dynamic, contributing to the overall musicality of the track.

The bass line follows the chord progression of the song but includes distinctive runs and fills that add a sense of movement and excitement. McCartney’s approach to the bass in many Beatles songs was innovative for its time, and it played a crucial role in shaping the band’s sound.

The bass in “A Hard Day’s Night” is a key element in the song’s composition, blending with the guitars and other instruments to create the distinctive sound that became synonymous with The Beatles during the 1960s.

The following video shows how to play the bass parts of “A Hard Day’s Night” with tabs:

Opening chord of “A Hard Day’s Night”

The opening chord of the song is famously known as the “A Hard Day’s Night” chord. It’s a unique and debated chord due to its complex and dissonant sound. It’s actually a combination of several guitars and a piano playing different chords simultaneously. The exact composition of this chord is still a subject of discussion among musicians and scholars. This video shows how to play it on different instruments.

“A Hard Day’s Night” karaoke

Here’s a great Karaoke version of “A Hard Day’s Night”

• Lyrics of “A Hard Day’s Night”

• Published on 1970
• Author: Lennon/McCartney
• Track 2 on “Let It Be“

Lennon’s quotes about “Dig A Pony”

JOHN 1972: “I was just having fun with words. It was literally a nonsense song. You just take words and you stick them together, and you see if they have any meaning. Some of them do and some of them don’t.”

JOHN 1980: “Another piece of garbage.”

About “Dig A Pony”

“Dig A Pony” from The Beatles’ 1970 album Let It Be, was written by John Lennon and credited to Lennon–McCartney. The band recorded the song on 30 January 1969, during their rooftop concert at the Apple Corps building on Savile Row in central London.

It was written for Lennon’s soon-to-be wife Yoko Ono, and features a multitude of strange, seemingly nonsensical phrases strung together in what Lennon referred to as a Bob Dylan style of lyric.

In author Ian MacDonald’s description, the lyrics “celebrate countercultural claims that society’s old values and taboos were dead, that life was a game and art a free-for-all, and (especially) that words meant whatever the hell one wished them to”.

“Dig a Pony” was among the first songs the Beatles worked on during day one of their filmed rehearsals for a planned return to live performance, in January 1969. Lennon introduced it to George Harrison soon after arriving at Twickenham Film Studios on 2 January, as the pair ran through their latest songs.

Meaning of “Dig A Pony”

The lyrics of “Dig a Pony” are known for their cryptic and abstract nature. The song is often interpreted as a collection of surreal and non-sequitur imagery, with no clear narrative or storyline. This abstract quality is characteristic of Lennon’s songwriting style during this period.

Some have suggested that the title and lyrics of “Dig a Pony” may not have a specific, concrete meaning and could be more about the sound and feel of the words and phrases.

It’s important to note that John Lennon himself has stated that the song was written during a time when he was exploring wordplay and not necessarily trying to convey a specific message.

Ultimately, the meaning of “Dig a Pony” remains open to interpretation, and listeners may find their own personal meaning or connection to the song based on their own experiences and perspectives.

Personnel

The Beatles

• John Lennon – lead vocal, rhythm guitar
• Paul McCartney – harmony vocal, bass guitar
• George Harrison – lead guitar
• Ringo Starr – drums

Additional musician

• Billy Preston – electric piano

How to play “Dig A Pony” on guitar

The guitar work in “Dig a Pony,” is quite distinctive and characteristic of the band’s style during their later years. The track features both John Lennon and George Harrison on guitars. The guitar parts in the song consist of rhythmic strumming patterns that provide a driving force to the song, a steady groove throughout the track, complementing the song’s relaxed yet energetic vibe. The combination of Lennon and Harrison’s guitar work creates a solid foundation for the song, allowing the vocals and other instruments to weave in and out seamlessly.

The following videos show how to play Lennon’s and Harrison’s guitar parts of “Dig A Pony”:

How to play “Dig A Pony” on bass

The bass on “Dig A Pony” is distinct and adds a solid foundation to the song.
Paul McCartney’s bass line on this track is distinctive as at some important moments in the song it plays in unison with Lennon and Harrison’s guitar parts, contributing to the overall groove of “Dig A Pony”. It is a prominent element that complements the guitar and drums, creating a rich sonic texture. McCartney was known for his innovative bass playing and on “Dig A Pony” his bass line helps carry the song forward while providing a melodic hook.

The following video features bassline with tab of “Dig A Pony”:

“Dig A Pony” karaoke

For those who want to try singing “Dig A Pony”, the next video features the karaoke version of the song:

• “Dig A Pony” lyrics

• Published in 1967
• Author: Lennon/McCartney
• Track 11 on “Magical Mystery Tour“
• Track 6 on “Yellow Submarine“
• Track 7 on “The Beatles 1967-1970” (Blue Album)

PAUL 1967: “We had been told we’d be seen recording it by the whole world at the same time. So we had one message for the world– Love. We need more love in the world.”

PAUL circa-1994: “‘All You Need Is Love’ was John’s song. I threw in a few ideas, as did other members of the group, but it was largely ad libs like singing ‘She Loves You’ or ‘Greensleeves’ or silly little things like that at the end, and we made those up on the spot.”

About “All You Need Is Love”

“All You Need Is Love” was released in July 1967 as a non-album single. The song was written by John Lennon and credited to the Lennon–McCartney partnership. EMI Studios in London filmed the band performing the song as Britain’s contribution to Our World, the first live multinational multi-satellite television production on 25 June 1967. Over 400 million people in 25 countries watched the program via satellite. Signs and streamers decorated the studio during the broadcast, and members of the Rolling Stones, Who, and Small Faces wore psychedelic clothing. The Beatles’ manager, Brian Epstein, described the performance as their “finest.”

For the show’s international audience, Lennon’s lyrics were intentionally simplistic, capturing the utopian ideals associated with the Summer of Love. The single reached the top of the sales charts in Britain, the United States, and many other countries, and became an anthem for the counterculture’s embrace of flower power.

The release of “All You Need Is Love” coincided with the peak of the Beatles’ popularity and influence following the release of their album Sgt. Pepper’s Lonely Hearts Club Band. As part of the orchestral arrangement, George Martin incorporates a portion of the French national anthem and ends with excerpts from Glenn Miller’s “In the Mood”, “Greensleeves”, and Bach’s Invention No. 8 in F major, and the Beatles’ 1963 hit “She Loves You“.

“All You Need Is Love” was later included on the US Magical Mystery Tour album and was used as a moral in Yellow Submarine, a 1968 Beatles animated film. Despite its association with the Summer of Love ethos and Lennon’s legacy as a humanitarian, numerous critics found the song’s message naive in retrospect, particularly during the 1980s. In honor of the Beatles’ Our World performance, Global Beatles Day is celebrated every year on 25 June.

Meaning of “All You Need Is Love”

The central message of “All You Need Is Love” is one of universal love, unity, and peace. The song’s lyrics are straightforward and repetitive, emphasizing the simple but profound idea that love is the most important and powerful force in the world. The chorus repeats the phrase “All you need is love” several times, along with the assertion that “Love is all you need.”

The song was written as a contribution to Our World, a live global television broadcast that took place on June 25, 1967. The Beatles were asked to perform a song that would be understood by people all around the world, and they chose “All You Need Is Love” to convey a message of unity and harmony.

“All You Need Is Love” is celebrated for its positive and timeless message, and it has become an iconic anthem for peace and love. It remains one of The Beatles’ most famous and beloved songs.

Personnel

• John Lennon – lead and backing vocals, harpsichord, banjo.
• Paul McCartney – bass, double bass, backing vocals.
• George Harrison – lead guitar, violin, backing vocals.
• Ringo Starr – drums.

How to play “All You Need Is Love” on bass

The bassline in “All You Need Is Love” is one of the defining features of the song. It was played by Paul McCartney and contributes significantly to the song’s catchy and uplifting feel. It is relatively straightforward, making it accessible for beginners while still providing an enjoyable challenge for more experienced players. The bassline in “All You Need Is Love” is a prime example of McCartney’s ability to create memorable and effective basslines that complement the song’s overall musicality.
The following video features “All You Need Is Love” bass cover with tab:

“All You Need Is Love” Karaoke

Here is the karaoke version of “All You need is Love” to practice singing the song: