• Published in 1966
• Author: Lennon/McCartney
• Track 4 on “Past Masters Volume 2“

JOHN 1966: “After we’d done the session on that particular song– it ended at about four or five in the morning– I went home with a tape to see what else you could do with it. And I was sort of very tired, you know, not knowing what I was doing, and I just happened to put it on my own tape recorder and it came out backwards. And I liked it better. So that’s how it happened.”

JOHN 1980: “That’s me again– with the first backwards tape on record anywhere… I got home from the studio and I was stoned out of my mind on marijuana… and, as I usually do, I listened to what I’d recorded that day. Somehow it got on backwards and I sat there, transfixed, with the earphones on, with a big hash joint. I ran in the next day and said, ‘I know what to do with it, I know… listen to this!’ So I made them all play it backwards. The fade is me actually singing backwards with the guitars going backwards. (sings) ‘Sharethsmnowthsmeanss!’ That one was the gift of God… of Ja actually– the god of marijuana, right? So Ja gave me that one.”

RINGO 1984: “My favorite piece of me is what I did on ‘Rain.’ I think I just played amazing. I was into the snare and hi-hat. I think it was the first time I used the trick of starting a break by hitting the hi-hat first instead of going directly to a drum off the hi-hat. I think it’s the best out of all the records I’ve ever made. ‘Rain’ blows me away. It’s out in left field. I know me and I know my playing… and then there’s ‘Rain.’”

PAUL circa-1994: “It was nice. I really enjoyed that one.”

About “Rain”

“Rain” is a song that holds a special place in the Beatles’ discography. Penned primarily by John Lennon, although credited to the enduring Lennon/McCartney partnership, the track was released as the B-side to their single “Paperback Writer” in 1966. This song is often revered for its innovative musical techniques and thought-provoking lyrics.

From a musical standpoint, “Rain” stands out for its distinctive sound. The track is characterized by a captivating blend of psychedelic rock elements. It features a remarkable use of backwards vocals, a technique that was quite avant-garde at the time. This effect, particularly notable in the final verse, adds an ethereal quality to the song, creating an otherworldly atmosphere.

Ringo Starr’s drumming in “Rain” is another standout feature. His rhythmic pattern is intricate and inventive, showcasing the band’s willingness to experiment with different musical styles and structures. This, combined with the song’s mesmerizing guitar work and Paul McCartney’s melodic bassline, contributes to the overall complexity and richness of the composition.

The song’s recording contains a slowed-down rhythm track, a droning bass line and backwards vocals. Its release marked the first time that reversed sounds appeared in a pop song, although the Beatles used the same technique on the Revolver track “Tomorrow Never Knows“, recorded days earlier. Ringo Starr considers “Rain” his best recorded drum performance. Three promotional films were created for the song, and they are considered among the early precursors of music videos.

Despite its unconventional approach and experimental sound, “Rain” was met with critical acclaim. It’s often cited as one of the Beatles’ finest B-sides and a testament to their musical innovation during the mid-1960s. The song’s influence extended far beyond its initial release, with its groundbreaking use of recording techniques inspiring generations of artists in the psychedelic and progressive rock genres.

Interestingly, “Rain” was not performed live by the Beatles during their touring years. Instead, the band created promotional videos for both “Rain” and “Paperback Writer,” which were early precursors to the modern music video.

In retrospect, “Rain” remains a beloved and iconic track among Beatles enthusiasts. It stands as a testament to the band’s willingness to push the boundaries of conventional music production, showcasing their artistic evolution during a pivotal period in their illustrious career.

Meaning of “Rain”

The meaning of “Rain” is open to interpretation, as with many pieces of art. However, it’s commonly understood to convey themes of introspection, change, and acceptance.

The lyrics of “Rain” suggest a contemplative attitude towards life’s uncertainties and transitions. Lines like “Rain, I don’t mind / Shine, the weather’s fine” can be interpreted as an acceptance of change, possibly even a welcoming of challenges or difficult times. The metaphor of rain could symbolize the ups and downs of life, and the idea that even amidst adversity, there can be growth and transformation.

Additionally, the song’s refrain, “Rain, I don’t mind / Shine, the weather’s fine,” might imply a sense of resilience or an ability to find positivity even in challenging circumstances. It could be seen as a message of finding contentment or peace regardless of the external conditions.

Overall, “Rain” can be seen as a reflection on the human experience, acknowledging that life is full of unpredictable moments, and the key might be in how one responds to them.

Personnel

• John Lennon: vocals, guitar
• Paul McCartney: backing vocals, bass
• George Harrison: backing vocals, guitar
• Ringo Starr: drums, tambourine

• Published in 1970
• Author: Lennon/McCartney
• Track 6 on “Let It Be“
• Track 26 on “The Beatles 1967-1970” (Blue Album)
• Track 14 on “Past Masters Volume 2“

JOHN 1980: “That’s Paul… I think it was inspired by ‘Bridge Over Troubled Water.’ That’s my feeling, although I have nothing to go on. I know he wanted to write a ‘Bridge Over Troubled Water.’”

PAUL 1986: “I had alot of bad times in the ’60s. We used to lie in bed and wonder what was going on and feel quite paranoid. Probably all the drugs. I had a dream one night about my mother. She died when I was fourteen so I hadn’t really heard from her in quite a while, and it was very good. It gave me some strength.”

PAUL circa-1994: “One night during this tense time I had a dream I saw my mum, who’d been dead ten years or so. And it was great to see her because that’s a wonderful thing about dreams, you actually are reunited with that person for a second… In the dream she said, ‘It’ll be alright.’ I’m not sure if she used the words ‘Let it be’ but that was the gist of her advice, it was ‘Don’t worry too much, it will turn out okay.’ It was such a sweet dream I woke up thinking, ‘Oh, it was really great to visit with her again.’ I felt very blessed to have that dream.”

About “Let It Be”

“Let It Be” released on 6 March 1970 is the title track of Beatles’ album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.

The single version of the song (with “You Know My Name (Look Up the Number)” as B-side), produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared with the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.

At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles’ final single before McCartney announced his departure from the band. Both the Let It Be album and the US single “The Long and Winding Road” were released after McCartney’s announced departure from and the subsequent break-up of the group.

“Let It Be” is a ballad with a simple, memorable melody and heartfelt lyrics. It features McCartney’s lead vocals and piano playing, with backing harmonies from the other Beatles. The song was recorded during the tumultuous “Get Back” sessions, known for their creative tension and marked a difficult period in the band’s history.

“Let It Be” received widespread acclaim and became one of The Beatles’ most commercially successful and enduring songs. It has been covered by numerous artists over the years and remains a popular and frequently performed song. The phrase “Let It Be” has become a widely recognized expression of accepting things as they are.

The song’s release coincided with the announcement of The Beatles’ breakup, and it has come to be associated with the end of an era in music history. “Let It Be” has been used in various films, television shows, and commercials, further cementing its place in popular culture.

Overall, “Let It Be” stands as a poignant and timeless classic in the Beatles’ discography, known for its emotional resonance and universal message of finding peace in times of trouble.

Meaning of “Let It Be”

“Let It Be” is about finding acceptance and peace in the face of challenges and uncertainties. The lyrics suggest a message of letting go of worries and allowing things to unfold naturally.

The inspiration for the song came from a dream that Paul McCartney had about his late mother, Mary McCartney. In the dream, she offered him words of comfort during a period of turmoil in his life. This dream served as the foundation for the song’s lyrics.

Overall, “Let It Be” conveys a message of serenity, trust, and the idea that sometimes the best course of action is to accept things as they are and have faith that they will work out in the end. It’s a song that has resonated with many listeners for its universal message of finding inner peace amidst life’s challenges.

Personnel

The Beatles

• Paul McCartney – lead and backing vocals, piano, maracas, electric piano, bass guitar
• John Lennon – backing vocals
• George Harrison – lead guitars, backing vocals
• Ringo Starr – drums

Additional musicians

• Linda McCartney – backing vocals
• Billy Preston – Hammond organ
• George Martin – string and brass arrangements
• Various session musicians – orchestration

• Published in 1969
• Author: Lennon/McCartney
• Track 19 on “The Beatles 1967-1970” (Blue Album)
• Track 10 on “Past Masters Volume 2“
• Track 8 on “Let It Be… Naked“

JOHN 1969: (to Ringo, regarding the cymbal smash in the intro) “Give me a big ‘kzzzsshhhh!’ Give me the courage to come screaming in.”

JOHN 1980: “That’s me, singing about Yoko.”

PAUL circa-1994: “It was a very tense period. John was with Yoko, and had escalated to heroin and all the accompanying paranoias and he was putting himself out on a limb. I think that, as much as it excited and amused him, at the same time it secretly terrified him. So ‘Don’t Let Me Down’ was a genuine plea, ‘Don’t let me down, please, whatever you do. I’m out on this limb…’ It was saying to Yoko, ‘I’m really stepping out of line on this one. I’m really letting my vulnerability be seen, so you must not let me down.’ I think it was a genuine cry for help. It was a good song. We recorded it in the basement of Apple for ‘Let It Be’ and later did it up on the roof for the film. We went through it quite alot for this one. I sang harmony on it, which makes me wonder if I helped with a couple of the words, but I don’t think so. It was John’s song.”

About “Don’t Let Me Down”

Recorded in 1969 during the Let It Be sessions, “Don’t Let Me Down” was written by John Lennon and credited to Lennon–McCartney. The band recorded the song with Billy Preston; the single release with “Get Back” was credited to “the Beatles with Billy Preston”.

The recording of “Don’t Let Me Down” took place during the famous rooftop concert held by The Beatles on January 30, 1969. This impromptu performance was the culmination of the recording sessions for the “Let It Be” album, which was eventually released in 1970.

Originally released as a B-side, producer Phil Spector excluded the song from Let It Be. However, it was eventually included on an alternate mix of the album, Let It Be… Naked.

The song has been praised for its raw emotion and powerful vocals, particularly from John Lennon. It has become one of The Beatles’ well-loved tracks and has been covered by various artists over the years.

Alan W. Pollack states that “the counterpoint melody played in octaves during the Alternate Verse by the bass and lead guitars is one of the more novel, unusual instrumental touches you’ll find anywhere in the Beatles catalogue.”

Meaning of “Don’t Let Me Down”

“Don’t Let Me Down” is a song about vulnerability and a plea for support and reassurance in a romantic relationship. The lyrics express a deep emotional need for the other person not to disappoint or abandon the singer during a challenging or difficult time.

The repeated refrain of “Don’t let me down” emphasizes the importance of trust and reliability in the relationship. The singer is essentially asking their partner to be there for them, to provide emotional support, and to be a source of strength.

The song captures a universal sentiment of relying on someone you care deeply about and trusting them not to hurt or betray you. It conveys a sense of dependency and a desire for a strong, stable foundation in the relationship.

Overall, “Don’t Let Me Down” reflects the vulnerability and longing that can be inherent in romantic connections, highlighting the importance of mutual trust and support.

Personnel

• John Lennon – lead vocal, rhythm guitars
• Paul McCartney – bass guitar, harmony vocal
• George Harrison – lead guitar, backing vocal
• Ringo Starr – drums
• Billy Preston – electric piano

• Published on 1965 – 1970
• Author: Lennon/McCartney
• Track 13 on “The Beatles 1967-1970” (Blue Album)
• Track / on “Past Masters Volume 2“

JOHN 1968: “Well, when Paul first sang ‘Hey Jude’ to me… or played me the little tape he’d made of it… I took it very personally. ‘Ah, it’s me,’ I said, ‘It’s me.’ He says, ‘No, it’s me.’ I said, ‘Check. We’re going through the same bit.’ So we all are. Whoever is going through a bit with us is going through it, that’s the groove.”

JOHN 1972: “That’s his best song.”

PAUL 1974: “I remember I played it to John and Yoko, and I was saying, ‘These words won’t be on the finished version.’ Some of the words were: ‘The movement you need is on your shoulder,’ and John was saying, ‘It’s great!’ I’m saying, ‘It’s crazy, it doesn’t make any sense at all.’ He’s saying, ‘Sure it does, it’s great.’”

JOHN 1980: “He said it was written about Julian. He knew I was splitting with Cyn and leaving Julian then. He was driving to see Julian to say hello. He had been like an uncle. And he came up with ‘Hey Jude.’ But I always heard it as a song to me. Now I’m sounding like one of those fans reading things into it… Think about it: Yoko had just come into the picture. He is saying. ‘Hey, Jude’– ‘Hey, John.’ Subconsciously, he was saying, ‘Go ahead, leave me.’ On a conscious level, he didn’t want me to go ahead. The angel in him was saying, ‘Bless you.’ The devil in him didn’t like it at all, because he didn’t want to lose his partner.”

PAUL 1985: “I remember on ‘Hey Jude’ telling George not to play guitar. He wanted to do echo riffs after the vocal phrases, which I didn’t think was appropriate. He didn’t see it like that, and it was a bit of a number for me to have to ‘dare’ to tell George Harrison– who’s one of the greats– not to play. It was like an insult. But that’s how we did alot of our stuff.”

PAUL circa-1994: “There is an amusing story about recording it… Ringo walked out to go to the toilet and I hadn’t noticed. The toilet was only a few yards from his drum booth, but he’d gone past my back and I still thought he was in his drum booth. I started what was the actual take– and ‘Hey Jude’ goes on for hours before the drums come in– and while I was doing it I suddenly felt Ringo tiptoeing past my back rather quickly, trying to get to his drums. And just as he got to his drums, boom boom boom, his timing was absolutely impeccable.”

About “Hey Jude”

Released as a non-album single in August 1968, “Hey Jude” stands as an iconic testament to the creative brilliance of Paul McCartney, officially credited to the enduring Lennon-McCartney partnership. This track marked a historic moment for the Beatles, serving as their inaugural release under the Apple record label, a pivotal event known as the launch of the label’s “First Four” singles.

The song’s impact was nothing short of meteoric, ascending to the number-one spot in numerous countries worldwide. It clinched the title of the year’s highest-selling single in the UK, the US, Australia, and Canada. Its reign at the top of the Billboard Hot 100 for an astonishing nine consecutive weeks in 1968 set a record that endured for nearly a decade. With approximately eight million copies sold, “Hey Jude” secures its place as an everlasting gem, a perennial favorite frequently lauded by music critics on their lists of all-time greats.

The genesis of “Hey Jude” unfolded amidst a tumultuous period for the Beatles. Originally conceived as “Hey Jules,” Paul McCartney composed this heartfelt ballad to console John Lennon’s son, Julian, in the wake of Lennon’s separation from his wife for the enigmatic Yoko Ono. The lyrics exude an uplifting spirit amidst melancholy, urging “Jude” to embrace the quest for love and fulfillment. The song takes an audacious turn after the fourth verse, segueing into a transcendent coda adorned with the distinctive “Na-na-na na” refrain, an extended passage that captivates for over four minutes.

Notably, “Hey Jude” marked a technological milestone for the Beatles, being the first composition to grace the eight-track recording equipment. Recorded at Trident Studios in central London during the creation of their eponymous double album, commonly known as the “White Album,” the process was not without its tensions. A dispute between McCartney and George Harrison over the song’s guitar arrangement punctuated the sessions. Meanwhile, Ringo Starr briefly departed the group, returning just in time for the filming of the promotional video, helmed by director Michael Lindsay-Hogg and premiering on David Frost’s UK television show. This performance beautifully encapsulated the song’s themes of hope and unity, as the studio audience harmoniously joined the Beatles in the uplifting coda.

Spanning over seven minutes, “Hey Jude” held the distinction of being the lengthiest single to conquer the British charts at the time. Its innovative arrangement and expansive coda sparked a wave of imitations well into the early 1970s. In 2013, Billboard magazine bestowed upon it the title of the 10th “biggest” song of all time, measured by chart success. McCartney, undeterred by Lennon’s tragic passing in 1980, has steadfastly continued to perform “Hey Jude” in concert, leading audiences in a spirited rendition of its iconic coda. Notably, both Julian Lennon and McCartney have vied successfully at auctions for cherished memorabilia connected to the song’s inception, underscoring its enduring significance.

Meaning of “Hey Jude”

The lyrics offer a message of support and encouragement, urging Jude (or Julian) to embrace opportunities and seek love, even in the face of sadness or adversity. The song’s uplifting melody and positive lyrics have resonated with many listeners over the years, making it an enduring anthem of hope and encouragement.

“Hey Jude” is often considered one of the greatest and most influential songs in the history of popular music, and its meaning has been interpreted in various ways by different listeners. Some see it as a universal message of support and comfort, while others connect it to the specific circumstances of Julian Lennon and his parents’ divorce.

The song’s timeless appeal lies in its ability to convey a sense of empathy, resilience, and the belief in brighter days ahead.

Personnel

• Paul McCartney – lead vocal, piano, bass guitar, handclaps
• John Lennon – backing vocal, acoustic guitar, handclaps
• George Harrison – backing vocal, electric guitar, handclaps
• Ringo Starr – backing vocal, drums, tambourine, handclaps

• Published in 1968
• Author: Lennon/McCartney
• Track 25 on “The Beatles – White Album“
• Track 1 on “The Beatles 1967-1970” (Blue Album)
• Track 8 on “Past Masters Volume 2“

JOHN 1980: “Completely me. We recorded the song twice. The Beatles were getting real tense with each other. I did the slow version (Revolution 1) and I wanted to put it out as a single: as a statement of the Beatles’ position on Vietnam and the Beatles’ position on revolution. The first take of ‘Revolution’ …well, George and Paul were resentful and said it wasn’t fast enough. Now, if you go into the details of what a hit record is and isn’t, maybe. But the Beatles could have afforded to put out a slow, understandable version of ‘Revolution’ as a single, whether it was a gold record or a wooden record.”

About “Revolution 1”

“Revolution 1” was written by John Lennon and credited to the Lennon–McCartney partnership. Three versions of the song were recorded and released in 1968, all during sessions for the Beatles’ self-titled double album, also known as “the White Album”: a slow, bluesy arrangement (titled “Revolution 1”) that would make the final cut for the LP; an abstract sound collage (titled “Revolution 9“) that originated as the latter part of “Revolution 1” and appears on the same album; and the faster, hard rock version similar to “Revolution 1”, released as the B-side of “Hey Jude“. Although the single version was issued first, it was recorded several weeks after “Revolution 1”, as a remake specifically intended for release as a single. In addition, a promotional video for the song was shot, using the musical backing track from the hard rock version, along with live-sung lyrics that more closely resemble the “Revolution 1” version.

Inspired by political protests in early 1968, Lennon’s lyrics expressed sympathy with the need for social change but doubt in regard to the violent tactics espoused by members of the New Left. Despite his bandmates’ reservations, he persevered with the song and insisted it be included on their next single. When released in August, the song was viewed by the political left as a betrayal of their cause and a sign that the Beatles were out of step with radical elements of the counterculture. The release of “Revolution 1” in November indicated Lennon’s uncertainty about destructive change, with the phrase “count me out” recorded instead as “count me out – in”. Lennon was stung by the criticism he received from the New Left and subsequently espoused the need for Marxist revolution, particularly with his 1971 single “Power to the People”. In one of the final interviews he gave before his death in 1980, however, he reaffirmed the pacifist sentiments expressed in “Revolution 1”.

The single “Revolution” peaked at number 12 on the Billboard Hot 100 in the US and topped singles charts in Australia and New Zealand. The Beatles filmed a promotional clip for the single version, which introduced a new, leaner and more direct public image of Lennon. “Revolution” has received praise from several music critics, particularly for the intensity of the band’s performance and the heavily distorted guitar sound on the recording. In 1987, the song became the first Beatles recording to be licensed for a television commercial, which prompted a lawsuit from the surviving members of the group. The song has been covered by numerous artists, including Thompson Twins, who performed it at Live Aid in July 1985, and Stone Temple Pilots.

Meaning of “Revolution 1”

The lyrics of “Revolution 1” reflect a sense of disillusionment with the state of the world and a desire for change. The song expresses frustration with the existing order and calls for a revolution, but not necessarily a violent one. Instead, it suggests a more contemplative approach to revolution, advocating for a change in consciousness and societal values.

Overall, “Revolution 1” can be seen as a reflection of the turbulent times in which it was written, with social and political upheaval taking place around the world, including events like the Vietnam War and civil rights movements. The song’s message is open to interpretation, but it’s generally understood as a call for change and a questioning of the status quo.

Personnel

The Beatles

• John Lennon – lead vocals, acoustic guitar, lead guitar
• Paul McCartney – bass guitar, piano, Hammond organ, backing vocals
• George Harrison – lead guitar, backing vocals
• Ringo Starr – drums

Additional musicians

• Derek Watkins, Freddy Clayton – trumpets
• Don Lang, Rex Morris, J. Power, Bill Povey – trombones
• George Martin – brass arrangement

• Published in 1968
• Author: Harrison
• Track 6 on “Past Masters Volume 2“

PAUL 1968: “Forget the Indian music and listen to the melody. Don’t you think it’s a beautiful melody? It’s really lovely.”

About “The Inner Light”

“The Beatles’ song “The Inner Light,” authored by George Harrison, made its debut on a non-album single in March 1968, serving as the B-side to the iconic “Lady Madonna“. Notably, it marked Harrison’s inaugural solo composition released on a Beatles single. The track bears testament to the band’s deepening engagement with Transcendental Meditation, a practice they were immersing themselves in while studying under Maharishi Mahesh Yogi in India at the time.

Among Harrison’s Beatles-era repertoire, “The Inner Light” stands as one of three compositions strongly influenced by Indian classical music, alongside “Love You To” and “Within You Without You.” Drawing inspiration from a passage in the Taoist Tao Te Ching, Harrison adeptly married these lyrics to music, guided by Sanskrit scholar Juan Mascaró, who had previously translated the passage in his 1957 work, ‘Lamps of Fire.’

During the January 1968 Wonderwall Music soundtrack sessions in Bombay, Harrison embarked on recording “The Inner Light.” This marked a significant milestone, being the band’s maiden studio session outside of Europe. The track boasts an array of traditional Indian instruments, including sarod, shehnai, and pakhavaj. Aashish Khan, Hanuman Jadev, and Hariprasad Chaurasia were among the accomplished musicians contributing to the piece. Apart from Harrison’s distinctive lead vocals, recorded in London, the Beatles’ sole involvement was in providing harmonious backing vocals.

In the ensuing decade, “The Inner Light” assumed a somewhat elusive status in the band’s discography, making sporadic appearances on compilation albums like Rarities, Past Masters, Volume 2, and Mono Masters. Its enchanting melodies and its ability to evoke a meditative ambiance have earned acclaim from numerous music critics and scholars.

A year following Harrison’s passing, Jeff Lynne and Anoushka Shankar paid tribute to the late musician by performing “The Inner Light” at the Concert for George, a poignant testament to the enduring impact of Harrison’s musical legacy.

Meaning of “The Inner Light”

“The Inner Light” is imbued with profound spiritual and philosophical themes. Its title and lyrics hint at a profound exploration of the inner self, a quest for inner serenity and wisdom. Although the song doesn’t deliver a clear narrative or explicit message, it is widely interpreted as an expression of Harrison’s deepening interest in Eastern spirituality, particularly his engagement with Hinduism and meditation.

This composition encapsulates several key elements of its meaning. Firstly, it suggests a yearning to uncover a deeper, inner understanding of life and the universe. The term “The Inner Light” encapsulates a desire to fathom one’s own consciousness and discover a sense of inner tranquility and enlightenment.

Harrison’s profound fascination with Indian philosophy and spirituality, notably the teachings of the Maharishi Mahesh Yogi, significantly influenced the song. Its lyrics incorporate elements of these teachings, conveying a spirit of introspection and self-discovery.

Released in 1968, “The Inner Light” coincided with The Beatles’ sojourn in India to study Transcendental Meditation with Maharishi Mahesh Yogi. As such, the song can be viewed as an artistic expression of the band’s experiences and the insights they gleaned during this transformative period.

While the song draws inspiration from Eastern spirituality, its themes are universal. It resonates with the universal human aspiration to find purpose, inner peace, and a deeper connection to the world and one’s own self.

In essence, “The Inner Light” mirrors George Harrison’s personal spiritual odyssey and his fascination with Eastern philosophy and meditation. Its lyrics encourage listeners to embark on their own journey of self-discovery and seek inner enlightenment and tranquility. The song encapsulates the broader cultural and spiritual exploration that characterized the 1960s, particularly among artists and musicians.

Personnel

The Beatles

• George Harrison – lead vocals, direction
• John Lennon – harmony vocals
• Paul McCartney – harmony vocals

Additional musicians

• Aashish Khan – sarod
• Hanuman Jadev – shehnai
• Hariprasad Chaurasia – bansuri
• Mahapurush Misra – pakhavaj
• Rijram Desad – harmonium
• uncredited – tabla tarang

• Published in 1969
• Author: Lennon/McCartney
• Track 12 on “Let It Be“
• Track 18 on “The Beatles 1967-1970” (Blue Album)
• Track 9 on “Past Masters Volume 2“
• Track 22 on “1“

PAUL 1969: “We were sitting in the studio and we made it up out of thin air. We started to write words there and then… When we finished it, we recorded it at Apple Studios and made it into a song to rollercoast by.”

JOHN 1980: “‘Get Back’ is Paul. That’s a better version of ‘Lady Madonna.’ You know, a potboiler rewrite.”

About “Get Back”

“Get Back” is a song by the Beatles, released as a single in 1969 and later included on their album Let It Be. Recorded by the Beatles and Billy Preston, it was written by Paul McCartney though credited to the Lennon–McCartney partnership. As a single, it was released on 11 April 1969 and credited to “The Beatles with Billy Preston”.

The song emerged from the Beatles’ ambitious “Get Back” project, which aimed to record an album in a live, studio-like setting without excessive overdubs and production. “Get Back” was conceived as a return to the band’s raw rock ‘n’ roll roots, in contrast to some of their more complex recent work.

The recording of “Get Back” became a significant part of the documentary film “Let It Be,” which chronicles the band’s recording process during early 1969. The song also became a major hit, reaching the top of the charts in multiple countries.

There is a different mix of this song on the album, which features a 20-second studio chat between Paul McCartney and John Lennon before the song begins, without the single version’s coda. A version of this track was released just after the group split up, as the closing track to Let It Be (1970). The single version was included on the compilation albums 1967–1970, 20 Greatest Hits, Past Masters Volume 2, and 1.

“Get Back” reached number one in the United Kingdom, the United States, Ireland, Canada, New Zealand, the Netherlands, Australia, France, West Germany, Mexico, Norway, Switzerland, Austria, and Belgium. It was the only Beatles single to include a credit for another artist.

“Get Back” became the Beatles’ first single released in true stereo in the US. The Beatles’ singles remained mono until “The Ballad of John and Yoko” was released in the UK. In addition, it was the only Beatles single to debut at number one on the UK singles charts. Over the years, “Get Back” has become one of the Beatles’ iconic songs, known for its catchy melody, lively guitar riffs, and memorable chorus.

Meaning of “Get Back”

“Get Back” encourages people to return to their true selves or their original state. The song’s lyrics were initially inspired by the civil rights movement in the United States. However, it evolved into a more general call for individuals to rediscover their own roots and values.

In the context of the song, “get back” suggests a desire for simplicity, authenticity, and a return to a state of being that feels genuine and true. It can be interpreted as a call to remember and hold on to one’s core beliefs and principles, even in the face of challenges or distractions.

“Get Back” conveys a positive and uplifting message, encouraging listeners to find their way back to a place of inner strength and authenticity. The song’s catchy melody and lively instrumentation contribute to its enduring popularity and status as a classic rock anthem.

Personnel

• Paul McCartney – lead vocal, bass guitar
• John Lennon – lead guitar, harmony vocal
• George Harrison – rhythm guitar
• Ringo Starr – drums
• Billy Preston – Rhodes piano

• Published in 1965
• Author: Lennon/McCartney
• Track 17 on “1962 ‐ 1966 (Red Album)“
• Track 1 on “Past Masters Volume 2“

The Beatles’ quotes about “Day Tripper”

JOHN 1972: “Me. But I think Paul helped with the verse.”

JOHN 1980: “That’s mine. Including the guitar lick, the guitar break, and the whole bit. It’s just a rock ‘n roll song. Day trippers are people who go on a day trip, right? Usually on a ferry boat or somethng. But it was kind of– you know, you’re just a weekend hippie. Get it?”

PAUL circa-1994: “Acid was coming on the scene, and we’d often do these songs about ‘the girl who thought she was it.’ Mainly the impetus for that used to come from John– I think John met quite a few girls who thought they were it… But this was just a tongue-in-cheek song about someone who was a day tripper, a sunday painter, a sunday driver, somebody who was committed only in part to the idea. Where we saw ourselves as full-time trippers, fully committed drivers, she was just a day tripper. That was a co-written effort– we were both making it all up but I would give John the main credit.”

About “Day Tripper”

“Day Tripper” was released as a double A-side single with “We Can Work It Out” on December 3, 1965, in the United Kingdom. In the United States, it was released as a single on December 6, 1965.

The song was written primarily by John Lennon with some contributions from Paul McCartney and was credited to the Lennon–McCartney partnership. Both songs were recorded during the sessions for the band’s Rubber Soul album. The single topped charts in Britain, Ireland, the Netherlands and Norway. In the United States, “Day Tripper” peaked at number five on the Billboard Hot 100 chart and “We Can W†ork It Out” held the top position. While “Day Tripper” was not originally included on a studio album, it later appeared on the “Past Masters Vol. 2” compilation album in 1988.

“Day Tripper” is a rock song based around an electric guitar riff and drawing on the influence of American soul music. It features a catchy riff and memorable melody that are characteristic of the Beatles’ sound. The song is known for its distinctive guitar riff, played by George Harrison, which is one of the most recognizable riffs in rock history, often credited as one of the earliest examples of a “power chord” in rock music, a technique that would become a hallmark of later rock and roll. The harmonies and arrangement are also classic examples of the Beatles’ style.

The Beatles included it in their concert set-list until their retirement from live performances in late August 1966. The single was the first example of a double A-side in Britain. Its success popularised the format and, in giving equal treatment to two songs, allowed recording artists to show their versatility. The band’s use of promotional films to market the single anticipated the modern music video.

In the UK, “Day Tripper” / “We Can Work It Out” was the seventh highest selling single of the 1960s. As of December 2018, it was the 54th best-selling single of all time in the UK – one of six Beatles singles included in the top sales rankings published by the Official Charts Company.

“Day Tripper” is regarded as one of the Beatles’ classic tracks and is often included in their greatest hits compilations. Its distinctive riff and catchy melody have made it an enduring favorite among fans and a widely recognized song in the rock genre. It remains an iconic Beatles song, celebrated for its musical innovation and its place in rock history.

Meaning of “Day Tripper”

“Day Tripper” by the Beatles has been the subject of some speculation regarding its meaning, as John Lennon and Paul McCartney were known for their skill in writing songs with both straightforward and ambiguous lyrics. The song’s lyrics are somewhat open to interpretation, but it’s often considered to be about a person who engages in casual relationships or one-night stands.

The term “day tripper” generally refers to someone who enjoys short, casual trips or outings. In the context of the song, it’s often taken to imply a person who is not interested in committed, long-term relationships, but rather seeks short-lived, temporary connections.

The lyrics describe someone who is confident and enjoys the attention they receive, but they also suggest that this person might not be interested in deeper emotional connections. Lines like “She’s a big teaser” and “She’s a day tripper, a one-way ticket yeah” hint at this playful, non-committal attitude.

Overall, “Day Tripper” can be seen as a reflection on the lifestyle of a person who is content with brief, superficial encounters and may not be seeking serious, long-lasting relationships.

Personnel

• John Lennon – double-tracked lead vocal, rhythm/lead guitar
• Paul McCartney – double-tracked lead vocal, bass guitar
• George Harrison – lead guitar, harmony vocal
• Ringo Starr – drums, tambourine

How to play “Day Tripper” on guitar

“Day Tripper” features a distinctive guitar riff that’s instantly recognizable. Played by George Harrison, it’s a catchy and iconic part of the song. The riff is characterized by its energetic, bluesy feel and is a great example of Harrison’s guitar style, with its memorable hooks and rhythmic drive. It’s one of those classic riffs that many guitarists enjoy learning due to its fun and engaging nature.

The following video features a guitar lesson with tab of “Day Tripper”:

How to play “Day Tripper” on bass

“Day Tripper” has a fantastic bassline played by Paul McCartney. It’s a driving and melodic bassline that complements the guitar riff and adds depth to the song’s groove. McCartney’s bassline in “Day Tripper” is quite prominent, featuring a catchy and rhythmic pattern that intertwines with the guitar parts, creating a solid foundation for the song.

The following video features a bass cover with tab of the song:

“Day Tripper” karaoke

For those who want to try singing “Day Tripper” the following video features a good karaoke version of the song:

• Lyrics of “Day Tripper”

• Published in 1966
• Author: Lennon/McCartney
• Track 24 on “1962 ‐ 1966 (Red Album)“
• Track 3 on “Past Masters Volume 2“

JOHN 1972: “Paul. I think I might have helped with some of the lyrics, Yes, I did. But it was mainly Paul’s tune.”

JOHN 1980: “‘Paperback Writer’ is son of ‘Day Tripper’ …meaning a rock ‘n roll song with a guitar lick on a fuzzy loud guitar.”

PAUL circa-1994: “I arrived at Weybridge and told John I had this idea of trying to write off to a publishers to become a paperback writer, and I said, ‘I think it should be written like a letter.’ I took a bit of paper out and I said it should be something like, ‘Dear Sir or Madam, as the case may be…’ and I proceeded to write it just like a letter in front of him, occasionally rhyming it… And then we went upstairs and put the melody to it. John and I sat down and finished it all up, but it was tilted towards me– the original idea was mine. I had no music, but it’s just a little bluesy song, not alot of melody. Then I had the idea to do the harmonies, and we arranged that in the studio.”

About “Paperback Writer”

“Paperback Writer” was written primarily by Paul McCartney and credited to the Lennon–McCartney partnership, the song was released as the A-side of their eleventh single (backed by “Rain“) on May 30, 1966, in the United Kingdom and on June 10, 1966, in the United States.

“Paperback Writer” was not initially released on a studio album, but it later appeared on the “Hey Jude” compilation album in 1970. It is primarily classified as a rock song, but it also has elements of pop and folk rock. The song is characterized by its catchy melody, memorable bassline (played by Paul McCartney), and tight harmonies, which were hallmarks of the Beatles’ style.

It topped singles charts in the United Kingdom, the United States, Ireland, West Germany, Australia, New Zealand and Norway. On the US Billboard Hot 100, the song was at number one for two non-consecutive weeks, being interrupted by Frank Sinatra’s “Strangers in the Night”. The Beatles made promotional videos for “Paperback Writer” and “Rain,” which were some of the earliest examples of what would later be called music videos.

“Paperback Writer” was the last new song by the Beatles to be featured on their final tour in 1966. The song was largely written by Paul McCartney, who based the lyrics on a challenge made to him by his Aunt Lil. McCartney said in 1966: “Years ago, my Auntie Lil said to me, ‘Why do you always write songs about love all the time? Can’t you ever write about a horse or the summit conference or something interesting?’ So, I thought, ‘All right, Auntie Lil.’” The inspiration for the song came backstage at a concert venue when McCartney, mindful of his aunt’s request, saw Ringo Starr reading a book and declared his intention to write a song about a book.

The lyrics are written in the form of a letter from an aspiring author to a publisher. McCartney completed the song with John Lennon in April 1966, early in the sessions for the band’s Revolver album, in response to pressure from EMI. McCartney came up with the concept for the song while driving from London to Lennon’s Surrey house, intrigued by the rhythmic possibilities of “paperback writer”.

“Paperback Writer” remains an enduring favorite among Beatles fans and is often celebrated as one of the band’s most accomplished and memorable composition

Meaning of “Paperback Writer”

“Paperback Writer” tells the story of an aspiring author who is seeking to get his work published. The lyrics depict the frustration and determination of this writer as he tries to convince a publisher to take a chance on his writing.

The protagonist is essentially making a pitch to a publisher, trying to sell his idea and demonstrate his skills as a writer. He emphasizes his desire to become a successful author and to see his work in print, even going so far as to state that he’s willing to change his style to suit the market.

The song captures the universal ambition of many writers and artists to have their work recognized and published, while also acknowledging the challenges and obstacles they may face in the process.

“Paperback Writer” can be seen as a reflection on the aspirations, struggles, and determination of creative individuals who are trying to break into the world of publishing and achieve success in their chosen field.

Personnel

• Paul McCartney – lead vocal, lead guitar (riff), bass
• John Lennon – backing vocal, tambourine
• George Harrison – backing vocal, rhythm guitar, lead guitar (fills)
• Ringo Starr – drums

• Published in 1969
• Author: Lennon/McCartney
• Track 20 on “The Beatles 1967-1970” (Blue Album)
• Track 11 on “Past Masters Volume 2“

JOHN 1969: “It’s something I wrote, and it’s like an old-time ballad. It’s just the story of us getting married, going to Paris, going to Amersterdam, all that.”

About “The Ballad of John And Yoko”

“The Ballad of John and Yoko” is a song written primarily by John Lennon, although credited to the songwriting partnership of Lennon-McCartney. It was released as a single in May 1969 backed by “Old Brown Shoe“, at a time when the Beatles were facing internal tensions. Lennon and McCartney were the primary contributors to the song, with Lennon providing lead vocals and playing guitar, and McCartney handling bass, drums, piano, and backing vocals.

The song narrates the events of Lennon and Yoko Ono’s wedding and honeymoon, reflecting the media frenzy and public interest surrounding their relationship. It serves as a semi-autobiographical account of their experiences, conveying a mix of personal sentiments and social commentary. The lyrics include references to their civil wedding ceremony in Gibraltar, their stay in Amsterdam as part of their “Bed-Ins for Peace” protest, and the challenges they faced from the media and public scrutiny.

The song is characterized by a stripped-down, acoustic sound, reflecting the relatively simple instrumentation used in its recording. This marked a departure from the more elaborate production of some of the Beatles’ previous work.

“The Ballad of John and Yoko” achieved commercial success, reaching the number one spot on the UK Singles Chart in June 1969. It also performed well in various international charts. Due to the song’s direct and personal nature, it generated some controversy. Some radio stations refused to play it, particularly in the United States. Despite this, it received positive reviews from critics and remains a notable entry in the Beatles’ discography.

The song’s legacy endures as a poignant reflection of John Lennon and Yoko Ono’s relationship and their public life together. It provides a candid glimpse into the tumultuous period in which it was written and recorded. “The Ballad of John and Yoko” stands as a testament to Lennon’s willingness to express his personal life through his music. It also captures a snapshot of the turbulent cultural and political climate of the late 1960s.

Overall, “The Ballad of John and Yoko” is a unique entry in The Beatles’ catalog, offering a candid and personal account of a pivotal moment in the lives of John Lennon and Yoko Ono. It remains a memorable piece of music history.

Meaning of “The Ballad of John and Yoko”

“The Ballad of John and Yoko” is a semi-autobiographical song written by John Lennon, which recounts significant events in his life, particularly his marriage to Yoko Ono and their public activities together.

The song starts with John Lennon recounting how he and Yoko Ono got married in Gibraltar. This reflects the real-life events of March 20, 1969, when Lennon and Ono had a civil wedding in Gibraltar to circumvent some bureaucratic hurdles.

The line “Drove from Paris to the Amsterdam Hilton“ refers to John and Yoko’s famous “Bed-Ins for Peace.” Instead of a traditional honeymoon, they decided to hold a non-violent protest against the Vietnam War. They chose to stay in bed at the Amsterdam Hilton hotel for a week, using their honeymoon as a platform to promote peace and global understanding.

The lyrics highlight the intense media scrutiny and public interest surrounding John and Yoko’s relationship and their peace activism. The line “You can get married in Gibraltar near Spain” touches on the unconventional nature of their wedding and the attention it garnered.

“The way things are going, they’re gonna crucify me“ reflects Lennon’s awareness of the controversy and criticism he faced from both the media and the public due to his outspokenness on political and social issues. It’s a metaphorical expression of the challenges he encountered.

The lyrics humorously alludes to the media’s insatiable appetite for celebrity news and their tendency to focus on superficial details rather than the substantive messages John and Yoko were trying to convey.

“The Ballad of John and Yoko” serves as a snapshot of a crucial period in John Lennon’s life and The Beatles’ history. It encapsulates Lennon’s candid reflection on his relationship with Yoko Ono, their joint efforts to promote peace, and their encounters with the media and public scrutiny. The song stands as a testament to their commitment to social and political activism during a tumultuous time in the late 1960s.

Personnel

• John Lennon – lead vocal, lead guitars, acoustic guitar, percussion
• Paul McCartney – bass guitar, drums, piano, maracas, harmony vocal