• Published on 1965
• Author: Williams
• Track 16 on “Past Masters Volume 1“

About “Bad Boy”

“Bad Boy” is one of several Larry Williams songs the Beatles recorded during their career, a rock and roll song with a lively, energetic tempo typical of Williams’ style.

The group recorded it on May 10, 1965, (William’s birthday), along with his song “Dizzy, Miss Lizzy“, which was intended for North American release only. A version of “Bad Boy” was released on the American album Beatles VI in June 1965, while a version of “Dizzy, Miss Lizzy“appeared on the British album Help! in August of that year. After being released in December 1966 as part of the compilation A Collection of Beatles Oldies, “Bad Boy” was also released worldwide on the 1988 compilation Past Masters Vol. 1, as well as its 2009 reissue, Past Masters, which combined both volumes.

In 1966 “Norwegian Wood (This Bird Has Flown)“, “I’m Looking Through You” and “In My Life” were released on an EP in Sweden together with “Bad Boy”. As a result of this EP’s success, the song hit number seven on the Swedish sales chart Kvällstoppen and number five on the Swedish radio chart Tio i Topp in December of the same year.

While not considered one of The Beatles’ standout tracks, “Bad Boy” still showcases their ability to infuse their style into cover songs and provides a snapshot of the wide range of influences that contributed to their sound. It remains a part of The Beatles’ discography and is appreciated by fans, though it’s not as frequently covered or performed as some of their more famous hits.

Meaning of “Bad Boy”

“Bad Boy” was written by Larry Williams, an American rock and roll and rhythm and blues singer, songwriter, and pianist. In this song, the term “Bad Boy” is used in the same sense as it is commonly understood in popular culture.

In the context of the song, a “Bad Boy” refers to a man who exhibits rebellious, non-conformist, or delinquent behavior. The lyrics suggest that the narrator is attracted to a woman who is described as a “Bad Boy,” which indicates that she possesses some of the qualities associated with this term.

The song’s lyrics do not delve into great detail about the specific behaviors or characteristics of the “Bad Boy” in question, but it conveys a sense of attraction and intrigue towards someone who may be seen as unconventional or edgy.

It’s worth noting that the term “Bad Boy” can carry various connotations depending on the context in which it is used, and interpretations may vary. In the case of this song, it appears to reflect a certain fascination with someone who exudes a rebellious or non-conformist aura.

Personnel

• John Lennon – lead vocal and rhythm guitar
• Paul McCartney – bass
• George Harrison – double-tracked lead guitar
• Ringo Starr – drums

Ho to play “Bad Boy” on guitar

“Bad Boy” features prominent electric guitar work, typical of the rock ‘n’ roll style prevalent in the 1950s and early 1960s. It is characterized by its bright and jangly tone and employs a classic rock ‘n’ roll chord progression, which gives the song its energetic and catchy feel. The rhythm guitar provides a driving force, keeping the song’s pace steady and lively. Additionally, there are melodic lead guitar lines that complement the vocal melody, adding texture and depth to the overall sound.

The guitar work in “Bad Boy” exemplifies the band’s ability to take a cover song and infuse it with their own style and energy. The Beatles were known for their adeptness at adapting and interpreting songs from various genres, and “Bad Boy” is no exception. The guitar in “Bad Boy” contributes to the song’s lively and upbeat character, and it showcases The Beatles’ proficiency in delivering rock ‘n’ roll music with their signature touch.

Here’s a video featuring the guitar parts of “Bad Boy”:

Ho to play “Bad Boy” on bass

The bassline in “Bad Boy” is characterized by its rhythmic pulse and melodic flair. It follows the chord progressions closely, providing a strong rhythmic backbone while also adding melodic embellishments that give the song a distinctive groove. McCartney’s bass playing style in “Bad Boy” showcases his ability to craft memorable basslines that enhance the overall musical arrangement.

The bass in “Bad Boy” contributes significantly to the song’s dynamic and infectious rhythm. It exemplifies McCartney’s skill as a bassist and his knack for creating engaging basslines that elevate the musicality of The Beatles’ songs.

The following video features a bass cover with tab of the song:

“Bad Boy” karaoke

For those who want to try singing “Bad Boy” the next video presents the karaoke version of the song:

• Published on 1965
• Author: Williams
• Track 14 on “Help!“

About “Dizzy Miss Lizzy”

“Dizzy, Miss Lizzy” is a rock and roll song written and recorded by Larry Williams in 1958. Although identified as a “genuine rock & roll classic”, it had limited success on the record charts.

In 1965, the Beatles recorded “Dizzy Miss Lizzy” in response to requests from Capitol Records (their US record label) for new material. The song is included on the UK album Help! and the US album Beatles VI. They recorded it along with another Williams tune, “Bad Boy”, on the same day.

Group biographer Ian MacDonald describes the song as “an unprepossessing shambles of ersatz hysteria and jumbled double-tracking”. However, AllMusic’s Stephen Thomas Erlewine comments “‘Dizzy Miss Lizzy’ gives John an opportunity to flex his rock & roll muscle.”

Lennon later recorded “Dizzy Miss Lizzy” at a performance at the Toronto Rock and Roll Revival on September 13, 1969. The song is included on the Plastic Ono Band album Live Peace in Toronto 1969. Paul McCartney has stated that he believes this song to be one of the Beatles best recordings. It features loud, rhythmic instrumentation, and John Lennon giving the vocal his all.

The title is playfully misleading. The actual lyric is, “You make me dizzy, Miss Lizzy”.
The song was originally thought about by band manager Brian Epstein, and was later introduced to Ringo Starr, the band’s drummer. He made sure that the band recorded it after loving its upbeat rhythm and interesting lyrics.

Meaning of “Dizzy Miss Lizzy”

The lyrics of “Dizzy Miss Lizzy” revolve around a woman named Lizzy who is described as being wild, carefree, and somewhat unpredictable. The narrator is drawn to her energetic and vivacious personality, but also acknowledges the challenges that come with being involved with someone so dynamic. The chorus, which repeats the line “You make me dizzy, Miss Lizzy,” conveys the exhilarating and sometimes overwhelming effect Lizzy has on the narrator.

“Dizzy Miss Lizzy” is a lively and energetic rock song that celebrates the spirited and free-spirited nature of the titular character. It’s known for its infectious rhythm and dynamic performance, both in Larry Williams’ original version and the Beatles’ cover.

Personnel

• John Lennon – vocal, rhythm guitar, Vox Continental organ
• Paul McCartney – bass
• George Harrison – double-tracked lead guitar
• Ringo Starr – drums, cowbell

How to play “Dizzy Miss Lizzy” on guitar

“Dizzy Miss Lizzy” features a prominent electric guitar riff throughout the song. George Harrison’s double-tracked guitar shines through the mix and John Lennon’s rhythm guitar blends with the Hammond organ to create the intensity needed for this song. The following video features a guitar cover of the song:

How to play “Dizzy Miss Lizzy” on bass

In “Dizzy Miss Lizzy,” Paul McCartney handles the bass guitar. The bassline in this song is lively and propulsive, driving the rhythm alongside the drums. McCartney’s bass work is characterized by its energetic and melodic quality, adding depth and a strong foundation to the song. His playing in “Dizzy Miss Lizzy” complements the upbeat nature of the track, contributing to its overall groove and dynamics. The following video features a bass cover of “Dizzy Miss Lizzie”:

“Dizzy Miss Lizzy” karaoke

For those who want to try singing “Dizzy Mis Lizzy”, the following video features a karaoke version of the song:

• Lyrics of “Dizzy Miss Lizzy”

• Published on 1964
• Author: Williams
• Track 12 on “Past Masters Volume 1“

About “Slow Down”

“Slow Down” is a 12-bar blues written and performed by Larry Williams. Released as a single in 1958, it was a Rhythm and Blues hit that influenced the growing Rock & Roll movement of the time. It was released as a 7″ single (45RPM). The A-Side was “Dizzy Miss Lizzy” and the B-Side was “Slow Down”, both of which were covered by The Beatles in 1964 and 1965 respectively. The Beatles’ version of “Slow Down” was released on the UK EP titled “Long Tall Sally” in 1964.

It was also released as the B-side to the single “Matchbox” in the same year. The song features John Lennon on lead vocals, giving it a distinctive touch. Its up-tempo rock and roll style, characterized by a lively beat, prominent piano work, and spirited vocal performances, showcases The Beatles’ signature sound.

Although the Beatles’ version didn’t achieve significant chart success as a single, it remains a well-regarded song in their catalog. They included “Slow Down” in their live performances during the early 1960s, solidifying its place in their repertoire.

The song’s enduring appeal is reflected in the various cover versions by other artists over the years. Overall, “Slow Down” stands as a testament to The Beatles’ ability to infuse their unique style and energy into classic rock and roll tunes, paying homage to their musical roots.

Meaning of “Slow Down”

The lyrics convey a straightforward message of romantic pursuit and urgency. The singer is imploring their love interest to slow down and consider their feelings, emphasizing the desire for a deeper connection.

While the lyrics themselves are relatively simple, the energetic performance and dynamic musical arrangement give the song its distinctive character. In the context of The Beatles’ catalog, “Slow Down” showcases their ability to infuse their unique style and energy into classic rock and roll tunes. The band’s rendition pays homage to their musical influences while adding their own flair to the song.

Personnel

• John Lennon – vocal, lead guitar
• Paul McCartney – bass guitar
• George Harrison – rhythm guitar
• Ringo Starr – drums
• George Martin – piano